Having been assigned to watch a movie that displays the present culture, I picked the one our family owns which, from the box, appeared to be most like contemporary American, postmodern culture. It is undoubtedly a "chick flick," making it rather awkward to watch, but it did end up being a culturally eye-opening experience. The title immediately signals the intended audience, "What a Girl Wants."
The main character is daughter of an ordinary American single mom and a British aristocrat. Her parents were married, and never divorced, but the mother left her husband under pressure from a shrewd political adviser. Upon turning seventeen, the daughter leaves her mother for a while and goes to Britain unannounced to meet her father, who by now is engaged to a stuffy and manipulating woman who has a rather bratty daughter. The American daughter starts out as quite a stir among the aristocracy, but after a while she tries to assimilate with that culture. This she eventually abandons.
1. What does it say about God and humanity?
In this movie, God is left out entirely. He is given not so much as a polite or praiseworthy mention, but His name was used in vain a couple of times. At the start of the movie, “fate” was said to have directed the parents’ meeting and eventual marriage.
2. Is the one true God replaced by other objects of worship, such as self or money?
Yes, very much so. The basic question that the movie asks is, “Who am I?” It is this search for identity and satisfaction that the movie is based around. The girl’s search for her identity in her father, which was her goal at the start of the movie, fails, so she tries to find her identity in aristocratic social life. Eventually, she rejects that notion in order to remain true to herself. Thus self is presumptuously placed where God is in truth, as the ultimate authority. This movie claims that identity is found intrinsically in every person, and they must pursue their deepest desire in order to find satisfaction. This is called “self-actualization,” and is a deeply rooted in the sin-nature. Nothing could be further from following the Lord Jesus Christ than “following your heart.”
3. What solutions are offered to life’s problems?
For this aspect, once again, the premise of the movie is basically, “If I could have what I’ve always wanted, I would be happy.” The way that happens for the girl, as she admits at the end, is not what she expected, but rather was better. The same concept is at hand, however, which is firmly debunked in Ecclesiastes, where the principle is expounded that, “Everything is vanity.” Solomon describes his quest for self-actualization in chapters one and two, and then describes his condition at the end. “And all that my eyes desired, I did not set aside from them. I withheld not my heart from all joy; for my heart rejoiced from all my labor; and this was my part from all my labor. Then I faced on all my works that my hands had done, and on the labor that I had labored to do. And, lo, all is vanity and striving after wind, and there is no profit under the sun.” -Ecclesiastes 2:10-11 Even though Solomon had everything he wanted, literally, he was not satisfied. This is because satisfaction is only found in Jesus Christ.
4. What character traits are promoted as positive and negative?
In this aspect the postmodern American culture particularly shone through quite obviously. The straightforward openness, carefree informality, and flashiness of just-be-yourself postmodernism was starkly contrasted with the careful perfectionist moderation, stuffy formalism, and exacting etiquette of the aristocracy. While failing to expose the insufficiency of self-actualization, it openly lashed at the hypocrisy of the aristocrats. Hypocrisy was the major targeted vice in the film. This is not surprising in postmodernism. In fact, this film actually displays the struggle of postmodernism with modernism, with the postmodern perspective both of itself and of its predecessor in great detail. The film gives postmodernism the victory in the end.
5. How are beauty and personal worth defined?
This is, for me, one of the most eye-opening aspects of the film. I know very little of this struggle, having had virtually none of it myself. I do not struggle with identity the same way women do, and it is a good thing. So I learned something from this film. The girl is not satisfied with herself, because she is fatherless, so she goes to meet her father, hoping that he will give her an identity. When her own cultural rearing clashes with her father’s, she tries to change to match him, but finds no satisfaction. The ultimate satisfaction portrayed in the movie is thus: to be oneself, and to be loved as such. This is actually truer than I realized. What the girl in this movie “wants,” as per the title, is actually a Biblical desire, for thus is grace. In grace Jesus Christ comes down from Heaven, and rescues us from a sure path to Hell. “But God demonstrates His own love for us in this, that we being yet sinners, Christ died for us.” -Romans 5:8 It is good and right to desire to be loved, in one’s present condition. This is one of the deep desire that Jesus Christ answered for us, truly and finally, on the cross. Thus the movie communicates, in a postmodern setting, a God-instilled desire which ought to lead us to salvation, but instead leads us everywhere else, until God opens our eyes that we may, “Repent and believe in the Gospel.” -Mark 1:15 The movie even ends with a “happily ever after,” which was, in the words of the main character, “Better than I imagined.” This is so much like Heaven, but it is in the wrong place. Having a father and a mother and a boyfriend and plenty of material things are all nothing, worthless, “vanity,” without Jesus Christ. May He glorify Himself and may we proclaim the truth of the Gospel to this sadly depraved culture. O, how they need Him!